jon_chaisson: (Tunage)
I know y'all have been waiting for this, and to be honest, I'm actually a bit early with it! Usually I wait until the very last week of the year before I build up this list, just for completeness' sake, but I figured it's safe enough to put out the list right about the same time everyone else is.

This has been quite an interesting year musically...this was the year in which [livejournal.com profile] emmalyon and I continued to listen to a lot of bands on the Sirius alternative rock stations on the upper end of our TV dial, but we also found AOL's Spinner, which features a good dozen or so new albums every week that you can stream. From about June on, I picked up a hell of a lot of new music that I hadn't heard anywhere else--not on the radio and not on satellite stations either, and I was rarely let down. There's a lot of new stuff hiding out there that's worth checking out, and I believe that in the next year or so we'll be seeing a change in playlists because of it.

The year has definitely been one of change, of endings and beginnings. In the early summer we saw the demise of WFNX, a Boston radio station that had been around since 1983, and was New England's answer to KROQ in LA--it was the only station out there, for the longest time, that played alternative music early on, and also featured local music in its regular rotation rather than just on specialty shows. Three of its best-known DJs--Henry Santoro, Julie Kramer and Adam 12, as well as the stations music director Paul Driscoll, stayed until the bitter end...and resurrected the airwaves digitally at Radio Boston.com, where they're still going and getting stronger. Again, a lot of changes in the air, but I'm sensing a move out of stasis and towards the positive.

This past year has been memorable musically for me, probably one of the best years in the past decade, and I'm looking forward to more.


SO! Without further ado...

All kinds of tunage and linky goodness below this here cut )

Catch you on the flip side, kids!
jon_chaisson: (Default)
1. Talk about a memory triggered by a particular song.

As [livejournal.com profile] emmalyon said, we're both certified music geeks, so today's prompt is not so much "can I do this one" as it is "how do I narrow it down". So instead, I'm going to pick various songs and give short vignettes of what memories are tied with them.

Violent Femmes, "Kiss Off".
Spring 1989. Chris and Ann and I driving down Route 32 towards Worcester. We're heading down to the Centrum to buy tickets for the REM/Indigo Girls show on the 9th of April. It's a wet spring day, having rained the night before, so the air is humid and cool. Ann and I are in the same Humanities class in high school, Chris is our friend who graduated last year. We're throwing in various tapes to listen to on the way down, including REM's Green, but it's when Ann puts in the Violent Femmes' self-titled album that the three of us go to town, belting out the songs, including this one.

Cocteau Twins, "Blue Bell Knoll".
Early autumn 1988. Early evening, listening to WMDK 92.1 out of Peterborough, NH, which at this point has become an AOR station and is playing the lighter 'modern rock' of the day. The deejay announces that Cocteau Twins are releasing a new album after a freshly-inked deal with Capitol Records. They preview the new album by playing the first side. I pretty much stop everything I'm doing and listen in, entranced by the sound. I end up buying the new album soon after, and teaching myself how to play the bass by playing along to it.

Nine Inch Nails, "Terrible Lie".
November 1989. Riding the commuter train out to Fitchburg on a dark Friday night, heading back to my parents' house for the weekend, frustrated and angry as hell. Two months into my college life and already it's bugging the hell out of me. I don't get along with my indie-hip roommate, I'm far away from my gf Tracey, and I'm not nearly as good in school as I hoped I'd be. I start hiding in the solace of music and writing, and NIN's Pretty Hate Machine becomes my de facto soundtrack.

Elvis Costello, "Alison".
Spring 1991. Working down in the basement of Emerson College Library (back when it was on 150 Beacon) in the Media Center. Hearing this song playing on WFNX nearly every morning, I'd sit at the front desk there, sipping coffee and trying to wake up. To this day I equate this song with morning coffee.

Duran Duran, "Ordinary World".
Spring 1993. Broken up with Tracey for the final time, lost connection with most of my friends, and have no friggin' idea what the hell I want to do with my life, feeling that I just wasted four years of college. Angry and pissed off at the world and myself, but I force myself to start thinking seriously about my future, even though it'll be derailed a few times. Still one of my all-time favorite Duran Duran songs, though.

White Zombie, "More Human Than Human".
Ned's Atomic Dustbin, "All I Ask of Myself is That I Hold Together".
U2, "Hold Me, Thrill Me, Kiss Me, Kill Me".
Summer 1995. Spending a free afternoon in my bedroom at the apartment in Brighton, listening to WBCN and writing on my gf Diana's PC, working on our co-written science fiction novel while she stays the summer down in Florida with her family. I have an index card taped to the wall above my desk that says "Just SHUT THE F**K UP and WRITE." The windows are open and a nice breeze is coming in off of Brighton Avenue. These songs are blaring out of the speakers. A lean yet productive summer.

Hooverphonic, "Dictionary".
Dishwalla, "Until I Wake Up".
Belle & Sebatian, "The Boy with the Arab Strap".
UNKLE, "Bloodstain".
Autumn 1998. Listening to cds I recently bought from HMV, the record store in Marlborough that I'd been working at for the past few years. Sitting down in the basement of my family's house in what I would soon dub "the Belfry" (due to a few errant bats flying over my head one summer evening), my dedicated writing nook. At this point I've finished The Phoenix Effect and am currently revising it for submission. All of these songs point to this time when I'd started my ritual of writing nearly every single evening down there.

Beck, "Little One".
Spring 2003. Hearing the album playing softly in the background while walking through Wordsworth Bookstore in Cambridge MA, one of my favorite places to stop during my frequent road trips to Boston during that time. They had a great (and quirky) selection of books and I rarely if ever left emptyhanded.

Boards of Canada, "Dayvan Cowboy".
Autumn 2005. Wasting time at my temp job of scanning paperwork, goofing off online, and listening to streaming radio or cds. [livejournal.com profile] emmalyon has been offered a managerial position in San Francisco, which she accepts. We'll take a trip out west in November to scout apartments, and will move in December. At this point I'm just counting down the days until that point, and enjoy the relaxing pace. An interesting way to end a year where I move out of my parents' house after ten years, move to New Jersey, ride a commercial airline for the first time, go to Europe (Scotland) for the first time, and get married.

Mutemath, "Blood Pressure".
Autumn 2011. Frustration with work and lack of progress in writing is winding me up, and I finally make the decision that I need to do something about it. This becomes sort of my theme song in the process. It's slow going, but it's going.
jon_chaisson: (Tunage)


[livejournal.com profile] emmalyon and I heard this song on the radio last night and both of us thought it had your name written all over it. :p
jon_chaisson: (Default)
I don't know what's happening, but for some odd reason I'm finding myself liking a lot of the poppier Top 40 stuff that VH1 is playing. [livejournal.com profile] emmalyon and I have been watching their morning video shows and the Top 20 Video Countdown almost every Saturday for the past few months, and quite enjoying it. And I haven't enjoyed pop music this much since the mid 80s, and it's kind of freaking me out. It's not as if I don't have access to alternative music anymore (I thank Live 105, KFOG and Alice 97.3 for that), but damn it, I'm a nonconformist! I'm not supposed to like pop music! It goes against my nature! [/snark]

Cases in point:



Justin Timberlake, "Lovestoned/I Think She Knows"--damn it, this is funky, and it's full of 80s-style human-beatbox goodness. Probably the same reason I actually had NSYNC's "Pop" on single for awhile.




Nelly Furtado, "Do It"--tell me this isn't a long-lost Paula Abdul demo or something that a Prince protege recorded and never released. Very 80s but in a good way!




Kanye West, "Stronger"--Daft Punk samples, shiny visuals, an Isotoner reference, and creative use of blocking swears. Kanye wins AGAIN. 'nuff said.




Rooney--"When Did Your Heart Go Missing?"--HOLY 80S, BATMAN. A Ferris Bueller band name, a video shot on an L.A. beach, and a song that sounds straight from a John Hughes movie. All that's missing is Molly Ringwald.


And this is the freaky bit--



Nickelback, "Rockstar"--Emm and I both agree that everytime we get to the point we can't stand this band, they turn around and come out with something really fun like this.


I think it's the fact that I find pop music is best when it's kept simple and not following a trend (like, say, the rap metal of the late 90s or the recent r&b/rap stuff that refuses to have a normal beat). Okay, so maybe a lot of it is emulating the 70s sound, or at least inspired by it, and maybe that's part of the appeal for us.

*sigh* I think I may have lost my indie cred. :p

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