jon_chaisson: (Mooch writing)
Ok, so when you grow up in a small town in New England, there's not a lot to do except do stupid and funny things with (or to) your friends on a summer night with a beer or two involved. And given that I had many relatives in the neighborhood as well made it that much more fun, and funnier.

Tonight's story is about trying to weird out my cousin. Specifically we were going to tap his bedroom window. To do that, you get a thumbtack, some fishing line, a nail or a screw, and someone with guts enough to set it up. You tie a screw to the end of the fishing line, hang it over the thumbtack you've pushed into the window frame, and gently pull at it from a distance so it appears no one is there to cause the tapping. Hilarity ensues as they run outside to figure out what the hell is going on.

This all seemed like a good idea at the time after I'd had a beer, of course.

So Donn and Shawn make the first move, sneaking up to my cousin's window to set up the ruse when things start to go wrong immediately in the form of too little fishing line. I tried to call them back but they couldn't hear, they were too far away. In the semidark I can see them trying to set the tack...

When another of my cousins--much bigger, brawnier and angrier--comes around the corner.

"WHAT THE HELL DO YOU THINK YOU'RE DOING??" he bellows.

Followed by three ever so slightly inebriated kids yelling "oh SHIT!" and running for our lives. Donn was in the lead, dashing around the corner and through backyards until we landed back on Wood Street, finding refuge in a cluster of trees. Half scared witless but finding our situation comical, we burst into barely repressed laughter. That is, until we heard running up the street. We held still until we caught a glimpse of the runner. It was Shawn, who had somehow not just gotten lost but also went in the wrong direction, lost his glasses, and ran sidelong into a neighbor's above-ground pool. Yeah, I don't k ow either...maybe he'd had more than one beer? Still, meeting back up with him in Donn's backyard shack and hearing what happened to him made the whole night perfect.
jon_chaisson: (Default)
Q: Tell a story you haven't told yet. Give it a different ending than the one that really happened. Don't tell us where you start changing things. Just go.

[NOTE: I sort of cheated here. Most all of my LJ friends know this story already and know what's true and what might not be (so don't give it away for the others!). I'm telling it here for the benefit of the Scintilla readers.]

I met one of my childhood heroes on April 12, 2000, when I was working at HMV Records. It wasn't the first time I met a famous rock musisian, as in the four years I'd worked there, I'd seen (or heard about) big name rockers popping into the store every now and again. I'd gone to various shows and stayed for meet-and-greets, or gone to signings.

The store was at the Solomon Pond Mall in Marlborough--kind of an odd place but a well-placed one. It's about 10 miles east of Worcester and 40 miles east of Boston, so it's kind of in the middle of nowhere. On the other hand, it's at the intersection where I-290 and I-495 meet up, so it's really easy to get to. For this reason, a lot of musicians who were playing in either town would stop by because it was out of town but close enough for them to retain a bit of anonymity.

My job was in the back room--I was the sole shipping/receiving clerk for most of the four years I was there. When I wasn't out on the sales floor helping various customers or ringing up at the register, or what have you, I was out in the spacious back room where I'd be pricing, sale-stickering, ordering, whatever needed to be done. It might have been a somewhat monotonous job for some people, but I absolutely adored it because I saw EVERYTHING that came in, which means that I got to hear albums before the drop date and listened to pretty much anything on the cd player up back.

On that day, however, it was a pretty quiet day. Not too much happening. I'd just gotten a visit from our UPS deliveryman, who would usually share some sordid or funny stories of things going on elsewhere in the building. He'd told me someone famous was in the building, but I didn't take him too seriously...it just sounded too farfetched. Not impossible--the person was apparently in the area, visiting a new-agey health clinic a few towns over--but I highly doubted he'd be here. I let it pass and went on with my work.

That afternoon, I was doing my usual work of checking in new product and listening to music, when I got a page from my boss who was up front.

"Jon, could you please come to the floor? Someone needs help in the world music section...they're over in the back corner."

I sat there for a second...first of all, our world music section is terribly tiny, and second of all, it's the one section I know the least in our store. Third of all, the world section was near the registers, not in the back forty where it used to be. But I figured they were busy up front, so I shrugged and made my way out. I stepped through the back door and looked for a lost client.

And found myself looking at George Harrison.

Now, mind you, I'm a HUGE Beatles fan, and had been so since I was a kid. He was a hero to me, more than the other three in the band. He was the most spiritual, the most centered, and the most down to earth. And he was a damn fine guitarist to boot! For about .03 seconds, my heart flipped and I had a look of "Oh. My. GOD." on my face. But! I couldn't pass this up. I had to be cool, calm and collected. After all, I had to give him good customer service. I walked over to him and the young woman who had been his assistant.

"Hi, welcome to HMV, how can I help you?" I said as evenly as I could.

"Hi," he said in a very quiet, unassuming manner. "Could you please show me where your world section is?"

"Certainly!" I said, and started walking towards the section. "Is there anything you're looking for in particular?"

"There are a few new Ravi Shankar reissues out that I'd like to buy."

As luck would have it, I had JUST checked them into the system that morning. I found them and pulled them out, and handed them to him. "Here you go," I said. "Is there anything else you'd like to look for?"

He smiled and looked around. "I'll just take a look through here," he said, and nodded. "You know, I'm a bit frustrated by the price of these discs nowadays," he continued. "It's not your fault of course, but it's the fact that most of the money isn't going to the performers, it's all to the label."

I nodded and completely understood. "I totally agree with you," I said.

We chatted a little further--I also handed him a copy of the Buena Vista Social Club cd that had been such a big hit a few years previous, as I thought he'd enjoy it. From there, I left him alone and headed to the register. My boss happened to walk by and had the biggest shit-eating grin on his face, and I gave him a you did that on purpose, you bastard! smirk.

When George was finished, he came to the register and I rung him up. I gave him our employee discount (and let him know it) so he had a good 40% off his purchase. He paid in cash, of course. I handed him the change and smiled, and finally let my guard down. "It was a pleasure to meet you," I said. "And thank you." He stood there for a second and gave me his trademark lopsided smile. He understood, and I didn't have to explain. "Thank you for your help," he said, and waved to his assistant. They walked out of the store.

Two minutes later I was out back, calling my Mom, hands shaking, completely freaked out. I had just met a Beatle, and my childhood hero.
jon_chaisson: (Default)
So...even though I always say I try not to let things bother me, or I just let it go after a short while, I confess I do have some pet peeves that set me off!

Being interrupted. The one thing that annoys the me the most is a third person barging into a conversation I'm having with someone and completely changing the subject. I know, I know...what I'm saying might be trivial, or what you might need to say might be urgent, but at LEAST interrupt graciously. Say "Sorry to interrupt--I need you let you know..." and I'll be okay. Don't just walk up and change the subject as if I'm not there.

Don't be impatient and follow up with KTHXBYE. I can't tell you how many times this happens at work. It cheeses me off when you email us with a DANGERWILLROBINSON URGENT URGENT ONOES TEH SKIE IZ FALLENG!!!1!!ELEVENTYONE!!! issue...only to have your Out of Office/On Vacation For the Next Three Weeks notification on when we need to reach back for more info that you so graciously forgot to give us.

Please for the love of pie CHEW WITH YOUR MOUTH CLOSED. You are not a cow. Please note that the squelching sound of teeth against cud is gross. If you've got to crunch down on something, that's fine, but once it's in there, please keep it in there and out of sight.

"YES" IS NOT AN ACCOUNT NUMBER. This little gem came to me after repeated conversations with clients back in my CD/IRA days:

Client: Yes, I'd like to take some money out of my account.
Me: Okay, do you have an account number? (meaning: "...one that I can look up?")
Client: Yes.
Me: ...
Client: ...
Me: ...
Client: OH! You need it?
Me: Yes, please. (meaning: "No, let me just PULL IT OUT OF MY ASS instead.")

You wouldn't believe how many times I dealt with that. And I'd say this works in other situations, where I ask a question and you give me an answer that either makes no sense or has nothing to do with what I'd just asked.

Backpacks on the bus or in a crowded place. I know you're coming home from school/the office/wherever, or you're carrying stuff you bought from vendors at a con...but you need to realize that that's an extra cubic foot you've added behind you. I know it's tough to carry, but PLEASE take it off so you don't bash someone in the face (namely, mine) in the process.

Disorganization. I've come to realize over the last few years how much this bothers me, especially in the workplace. It's not very professional, and it gives off the impression that you really don't know what you're doing. I admit to being disorganized myself, but I try to keep it to a minimum.

Certain singers' affectations. This one's me being picky. I don't mind Robert Smith's warble or Liam Gallagher's snotty delivery, but Natalie Merchant's habit of dropping the note at the end of every line, Matthew Schultz's (Cage the Elephant) disorganized spieling, and Janis Joplin's scratchy whine just make me twitch. I don't mind the music, it's just the vocals that irritate me. Just a matter of taste, I guess.


Other than that? I'm just fine. You? :)
jon_chaisson: (Default)
Twenty-Three Burners

(Or, Writing Projects I've Worked On To Varying Degrees, In No Order) )
jon_chaisson: (Default)
List the tribes you belong to: cultural, personal, literary, you get the drift. Talk about the experience of being in your element with your tribes.

I admit this one was tough. The word "tribe" isn't one that I normally use to describe my circles of friends, nor is it something I would use to describe a generation movement (like Generation X, for instance). It doesn't seem to fit, at least on a personal level, when describing the group of writers I know...it just seems to much of a buzzword to me, for some reason.

That said, howevever, I understand where the question is coming from. Added to that, the use of the word "tribe" immediately made me think of the Boston band Tribe, a band I loved back in the early 90s. That in turn made me think of the alternative music scene, and if anything could be called a "tribe", that there is it. I'm not really a part of the "scene" itself, though...I've never been much of one to go out to nightclubs and see bands, nor have I ever been really much of an insider who hobnobs with musicians. I know a few personally who are good friends of mine, but that's about it.

If anything, I'm part of the tribe of listeners. I'm the one who has the radio on or the cd playing or the music channel on the TV...something always playing in the background. I'm the one who, for four years straight, went to Newbury Comics nearly every single Tuesday of the year to pick up new releases. I'm the one who, after all these years, still makes mixtapes (albeit digitally in the form of playlists nowadays). I'm the character Rob Gordon in High Fidelity who makes music lists and can serve up a perfect song for any situation (and laughed hysterically when he described the perfect way to make a mixtape, because it was just so true!). There aren't too many of us who are as infatuated and obsessed with music as I am, but we're out there.

I think that's also something I treasure in my relationship with [livejournal.com profile] emmalyon...she's a music nerd in her own way, having majored in it. I love our conversations when a song comes on and our response is not a generic "this is a neat song, I like it" but "I love how the melody goes downwards while the bass line goes up" or "I love the polyphonic effect of the vocals here". She gets why a song does what it does, and why I'd like it as much as I do.
jon_chaisson: (Default)
Q: Talk about an experience with faith, your own or someone else's.

If people ask me, I say I'm more spiritual than religious. It's not that I disavow any churches or their doctrines (outdated or conflicting though some of them may be)...I'm actually kind of fascinated by the multitude of religions and faiths out there in this crazy world. I love the idea of community in a parish, the peace of meditation, the love of earth and spirit. I was brought up Roman Catholic in a small town and enjoyed the sense of community and friendship it gave, but I walked away in college because I wanted to explore. (That's not to say I denounced my faith or my membership, I just moved away from it is all.)

In the mid-90s I had a few revelations (as it were). The first was an invitation to a circle ritual for a few Wiccans I knew. I found myself fascinated by the idea of--well, not so much a religion or an organized faith, but a mindset of peace and balance, which I desperately needed at the time. Skeptic that I sometimes am, I didn't completely and blindly give in to Wicca, but I studied it quite a bit over the course of a few years. I didn't really focus on the rituals, because they were the main reason I left the Catholic church in the first place--I found that religious ritual, over time, kind of loses its meaning for me unless I change it up now and again. I liked the idea in Wicca of not so much having a set ritual that everyone followed, but to have your own, as long as the outcome was to thank nature for what it's given you, and to follow the tenet of 'an it harm none, do as thou wilt'.

This seeped into my writing about this time. My aborted novel with Diana, True Faith, contained a number of scenes with magic of a spiritual bent. The one problem with the plot, however, was that I was trying to shoehorn a non-diametric belief system into a good-versus-evil story. I was going to hit a lot of roadblocks (not to mention step on some toes) if I kept heading down that road.

By late 1996, I'd moved on from Wicca as well as from that relationship. Not that I'd immersed myself wholly into it to begin with, but I had come to a stagnation point--I was still intrigued by its belief system, but I just couldn't quite bring myself to ever completely give into it.

Then the oddest thing popped into my life--a book about aliens. Hear me out on this one, it's kind of fun. :)

Now, this was one of your typical throwaway paperbacks you'd find in a supermarket about whether or not aliens and alien encounters were real. I picked it up partly as a lark, and partly because I was interested in why someone would believe such--I considered it research for my writing, as I kind of liked the "aliens among us" idea. What got me, though, was an intriguing spiritual theory I'd never heard before: what if the human soul wasn't just bound to Earth? What if the soul reincarnated several lifetimes, not just to learn or to 'spread the message', but just to experience life? And most of all, where would these souls come from?

My first thought was Hot Damn, that's a story line right there! And that's how the Eden Cycle was born, first as a single novel (The Phoenix Effect), then as a trilogy (A Division of Souls, The Persistence of Memories and The Process of Belief) written over the course of nearly ten years. I'm currently revising them now (I have early versions posted at [livejournal.com profile] edencycle in extremely friends-locked posts, if anyone's interested).

I was so intrigued by that idea that I followed it for a good few years more, reading quite a number of different books. I read Barbara Hand Clow's The Pleiadian Agenda, parts of The Urantia Book, books about Billy Meier and FIGU, visited a number of online bulletin boards, and even tried a bit of automatic writing. I took it all with a good heaping grain of salt, of course, as I wasn't expecting a spaceship to pick me up and "take me home" any time soon. What I got out of it was another sense of community and insight--it was less about blindly following what others claimed to be true, but more about focusing and parsing what I'd learned. It was sort of like a roundabout meditation, in a way.

(ETA: I should probably add that this was why I was so angry when Marshall Applewhite led the Heaven's Gate cult to a mass suicide--this was both blind following and abusive leadership, both of which I find abhorrent in spirituality.)

I let that go probably in 2000 or so, as my focus veered away from the alien spirit idea and more towards my Eden Cycle novels. I haven't really thought about spirituality or religion since then. The current political weather has made me irritable, of course, but that's really due to the blatant misinterpretation and abuse of what religion and spirituality should be about. I'm not angry at believers in general, just the ones who are exploiting their beliefs for selfish and sometimes violent ends.

If anything, I still think of myself as spiritual in a universal sort of way. I still don't expect P'Taah to come picking me up anytime soon...but when I look out into a night sky and see the countless stars out there, I'm glad I'm part of this universe too, in my own way.
jon_chaisson: (Default)
Well, funny you should say that.

When I was about 10 or so and just starting in on my record collecting (with all the Beatles releases, natch), I had the occasional dream that there was a room past my parents' bedroom that was a library filled with rows and rows of vinyl, cassettes, and other music formats. I knew this was pretty much an impossibility on a few levels--first, we weren't about to build another addition, and second, I highly doubted I was going to have that much music any time soon. At the time I personally owned about 15 albums and a handful of singles. It wouldn't start growing until a few years later.


Fastforward to 2012:



This is an external hard drive the size of a 3 x 5 index card and about a half-inch thick. It currently holds over 100,000 mp3s ripped from my cd, tape and vinyl collection or downloaded over the last ten years.


So yeah...this was one impossible dream that actually came true, no construction needed!

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